String Theory, Human BioAcoustics and the Harmonies of Life
A Report on the Research Breakthroughs of Sharry Edwards, M.Ed.
© 2004

The beginnings of Life, the roots of String Theory in harmonics…
 Sharry Edwards has discovered the progression, in sonic frequency, from simple element
to complex life-form.  She has decoded the biological frequency matrix
and can show that “Ladies came first…”

11/01/05 - For updates see Ms. Edwards' article in the Journal of BioAcoustic Biology - The Definitive Theory of Human BioAcoustic Vocal Profiling

String Theory
Human BioAcoustics
The Harmonies of Life

String Theory

The closer we look at the world of illusion about us, the more astounded we are to find multiple levels of harmony nested within structures of great elegance. The seemingly infinite variability of the Natural World (whether we are considering the myriad variations of living things, the structures of crystals, or even the complex objects that fill near and far space) is grounded upon simple chemical (valance electron) frequency reactions among a relatively small number of elements.

Those elements are themselves constituted from just a few sub-atomic particles, some of which (e.g., protons) are also composite objects. Far beneath the sub-atomic level lies the domain of String Theory and the idea that the fundamental structure of reality arises from multidimensional vibrating membranes (or Branes, for short).

To avoid the "infinities" that (one dimension) point particles introduced into the mathematics of physical science, the objects of String Theory were originally conceived as two-dimensional strings, far smaller than the smallest subatomic particle, the vibrations of which were perceived as the sub-atomic realm. As the theory was probed further, it was realized that all physical attributes of our ordinary three spatial plus one temporal dimensional world could be explained through the vibrating of multi-dimensional objects, Branes, in eleven dimension of a super reality. The seven unperceived dimensions were viewed as having rolled up to nearly infinite smallness when the universe came into being.

Human BioAcoustics

The creative effect of vibration can be seen in a number of other areas of research. For example, Cymatics shows how complex physical structure can develop from differing modes of vibration. Human BioAcoustics, similarly, studies the vibrations that define normal human structure and function and how abnormal vibrations can be normalized, leading to greater states of wellness1. This area of scientific research was originated by Sharry Edwards, M.Ed., 2001 New Scientist of the Year and O. Spurgeon English Humanitarian Honoree in 20022.

Merriam-Webster ( defines "bioacoustics" as: "a branch of science concerned with the production of sound by and its effects on living systems." This term, as applied to humans, and trademarked as Human BioAcoustics now refers specifically to the research initiated by Sharry Edwards, M.Ed. in the 1970's, of voice spectral analysis and the presentation of sound frequency to support normal form and function3.

Human BioAcoustics, like String Theory, offers an explanation of the structure of reality based on an analysis of vibration. Ms. Edwards has identified areas of the vibrational spectrum that related to various layers of biological structure. The Frequency Equivalency Relationships
among the elements of the biological reactions and systems always "add up" – they always show extraordinary relationship. For example, when the frequencies for the two main minerals that bind bone are summed, the third (or, beat) frequency is that of the bone matrix protein. Examples like this are repeated over and over again in Ms. Edwards' work.

She has recently shown a deep vibrational relationship among the elements that are the primary building blocks of living systems. When researchers apply a gnomic expansion to the BioGenetic root of these elements, vibrations related to the Frequency Equivalents
of the rest of the group are exhibited, in a multi-dimensional Matrix of Translated Frequencies. This research explicates the fundamental vibrational relationships that dictate, for example, the behaviors permitting proteins to develop into complex structures, as well as the relationships among all other chemical species.

This discovery confirms the vibrational nature of the chemical reality of structure and points in the direction of further research to unlock the secrets of the vibrational structure of matter and energy, approaching String Theory, as it were, from another direction, illuminating this fundamental "Theory of Everything" with the practical value shown by the application of Human BioAcoustic principals to issues of individual wellness.


The Harmonies of Life

Ms. Edwards continues to uncover new Human BioAcoustics information at her Albany, Ohio research center, and her research proposes the idea that the body requires the presence of a full range of harmonious frequencies working cooperatively. Consider the body as a musical instrument. When even one note is out of tune, the result is often discordant. Tune the instrument and the sounds become consonant.

It has long been known that sounds reflected from a metal girder could predict the integrity of the structure. This development is parallel to the process of using sound to test the integrity of bone density and formation. Each structure and process within the body has a distinctive combination of frequencies that must be present for the body to maintain integrity. The body is capable of being self-evaluating, but not so capable of self-generating the frequencies that are required for restoration.

The idea of using sound to facilitate change within the body is not just a contemporary notion, though Ms. Edwards' original formulating work is the most contemporary sound modality. Song and movement to create mood and provide physical dominion over the body was an intimate part of almost every culture on earth, but those efforts were often surrounded with superstition and mysticism. It was not until recently that computerized technology and instrumentation was developed that allowed Ms. Edwards to lead the advancement of procedures that could be used to allow the body to individually predict and provide for itself.

Nonetheless, humans have known that particular sounds were of particular importance for a long time. "The Upper Paleolithic [from 30,000 BC] was also the first time that evidence of music appears. Simple flutes carved from the long bones of animals have been found... [H]ow... [were] these instruments... used[?]... [S]everal cave sites provide... some indication of their possible context. [R]esearchers were puzzled by simple blobs of paint smeared in isolation at certain points of the inner recesses of caves where art was found. They assumed that they were some sort of trail-mark... until they discovered that every point so marked was a resonance point for sound. With sophisticated equipment they reproduced the frequencies characteristic of the surviving bone flutes and found that at each point a harmonic resonance was produced. Music, which can certainly be magical in its transformation of the human spirit... may have been born as an early way to contact the spirit world, which answered back at those Paleolithic listening posts in the depths of dark caves."4

Ms Edwards research confirms that each note (frequency) has a series of other frequencies that it "plays" with, in a dimensional Matrix, to create holistic balance within a system of the body. Each note (frequency) has a series of harmonics that it "plays" with to create the harmonics we observe throughout the systems of the body. This vibrational holism is at the root of all bio-chemical systems.

Normally the harmonics are used to nourish long term, multiple systems that are in stress. For instance, researchers have seen frequency normalization and reversal ("spontaneous remissions") in some types of cancer (limited subject base) where the researchers were using the harmonics of the Krebs Cycle to achieve and maintain a harmonious Voice Spectral Analysis. Normally the frequency sets are used for one system or one issue.

Each nutrient, biochemical substance, organ and emotion has a series of predictable relationships that are mathematical in nature and exhibit a gnomic progression among related frequencies.

States Ms. Edwards, "For example, the Frequency Equivalent
for Choline (a necessary nutrient) has an opposite or balancing Frequency Equivalent. These two frequencies work together to harmonize the body and the energy conversion system. If you subtract the numeric Frequency Equivalent of Choline from the harmonic (opposite) Frequency Equivalent of Choline, the result is the Frequency Equivalent of Acetylcholine. This is the process that the body goes through when these compounds are introduced.

"In other words, what the body does with chemical compounds can be predicted and shown mathematically. The body is a Mathematical Matrix of frequency interactions. Biochemical relationships are frequency relationships (since it is the valance electrons that govern chemical reactions, and "valances" are frequency shells around the nucleus of the atom)."

Ms. Edwards has explicated other essential aspects of Human BioAcoustic (life sounds) work:

"1. Different people respond differently to different sounds. I have yet to discover a universal sound that is beneficial to everyone. I did find that sky blue seems to be acceptable to most people no matter what the issue or location.

"2. Different people respond differently to different sounds if the person is in a different geographical location. For instance, the sound I need to see clearly is around the note of A. London puts off that sound. In London I do need glasses to see properly."

Ms. Edwards continues, "This also leads me to state that each place that I have been on the planet has a different sound. Every person, every herb, every everything has a sound."

"3. The Earth Frequency. This would also give rise to the idea that the earth is a combination of all sounds which would be a frequency somewhere between F/F# (left) and B/C (right) respectively - depending on your perceptive brain dominance. We have shown conclusively that people with different brain dominances have different responses to sound and frequency."

Further explaining the seeming inconsistencies among earlier researchers, she states, "For example:

"Dinshah depicts Red as the note of G; Science depicts Red as the note of C and the Rosicrucians depict Red as F#. They are all correct: For the Left brain, physically oriented person Red is C; for the right brained, emotionally oriented person, Red is F#; but for the light oriented person, Red may be perceived as G.

"When you consider that people also respond differently depending on the situation, you can quickly see that there are some complicated math issues. I've tried to simplify it this way. Use a note as a base - let's use C.

"Starting with C (red) -- Red's pigment frequency opposite is F# (green); Red's light frequency opposite is G (turquoise)

"If you are left brained, it is likely you will respond as below:

"If you have a physical issue that requires C, you will need a shade of the note of C. If you have a maintenance issue with your physical body that requires the note of C, you will likely use a shade of F#. If you have a processing issue dealing with the note of C, you will likely use a shade of G. This has been shown repeatedly to have efficacy.

"For left brained persons, tone and color are opposites.

"If you are left brained and need the note of C, this note would translate to the color Green. For right-brained persons, tone and color are the same. If you are right brained and need the note of C, that translates to the color Red.

"Not considering left and right-brained preferences has caused the greatest problem for those who use color and sound therapy in combination. In this context, we must always remember the First Rule of Alternate Healing: ‘Do no harm.’"

Ms. Edwards explains the concept of Frequency Equivalent,

”4. Every muscle, emotion, organ, everything has a Frequency Equivalent. Compounds, herbs, etc have a Frequency Equivalent based on mass. Muscles have a frequency based on nerve interactions. Emotional Frequency Equivalents are based on brain waves.

"I believe that everything has a frequency and that everything is a frequency. We have shown the unique link between substance and frequency from Einstein's famous formula, e = mc2.5   There is much more. This has been my life's work and I have seen the miracles happen that keep me looking for the simple answer of how we really "work" as animated mechanical, thinking, emotional vibrating beings.”

"5. Earth Frequency Equivalent. If the earth's sound is B, then it can be expressed as F, its physical complement or opposite and as F#, its light reciprocal. Each set of frequencies and harmonics has a corresponding system, organ and emotion set. One note can be expressed and perceived many ways. For example, the B, F, F# combo in Human BioAcoustics nourishes normal structure and function for kidneys, mineral distribution, high blood pressure and the system of fluid distribution through the body. As an emotional frequency it deals with trying to do too much for others. Giving too much of the self. Life lesson - setting your own boundaries, learning that your care taking nature means that you also must take care of you."

"6. Each compound has another frequency that activates it. If niacin is the note of B and you play the specific Frequency Equivalent of niacin (based on the mass) - you will activate niacin. There is an additional frequency dealing with niacin that causes the energy of niacin to be expressed. It is called the Energy Equivalent
. For example, we can say the Frequency Equivalent starts up (activates) the car but the Energy Equivalent puts the car in gear so that the car becomes animated."

Ms. Edwards' sophisticated approach uses (1) standard Windows' technology to record a voice .wav file then (2) a standard frequency analysis program to identify the stressed frequencies and (3) the BioGenesis
and programs to complete the Voice Spectral Analysis by identifying harmonizing Frequency Equivalent series, allowing the whole person to achieve and maintain a healthy status. (4) The Square One program is then used to input the frequencies into an appropriate tone-generating device. This is a purely non-medical technology that is not intended to diagnose, prescribe for, treat or claim to prevent, mitigate or cure any human disease condition, since it does not identify disease nor does it need to know anything about disease in order for it to recommend harmonizing frequencies.

The computer programs do not know anything about disease, they only know about harmonic relationships among frequencies and a bit about the relationship between substance and frequency. The art in this research modality is when the trained and certified BioAcoutic research associate chooses which stressed notes to put into the programs, to identify the Entraining Frequencies

The final, fourth step is providing sound frequency to the individual’s environment. This is done through speakers or headset powered by a small frequency generating device which can be programmed with various frequencies in various patterns. The specific frequencies and patterns are part of the private and confidential area of Human BioAcoustics only provided to research associates under contract.



In order to allow the body to intrinsically use external frequencies, Ms. Edwards proposes that three components are required. “(1) an analog Frequency known to be compatible with the body, plus (2) a specific rhythm that will engage the frequency, plus (3) an energy component to provide the transition from inert to kinetic.”

Just as the use of a car requires you to engage the ignition, put the car in gear and step on the gas, so is it the same three steps to achieve maximum efficacy using energy, as frequency, to support normal structure and function. Human BioAcoustics studies the frequencies (the sounds of the voice) and architecture (rhythmic patterns of the voice) in a specific combination
(Energy Equivalent
) designed to provide a potent synergy to entrain the body in its own effort to achieve maximum states of health and wellness.

In this way, Ms. Edwards has shown a real world equivalency to the fundamental frequency basis of String Theory, with its multi-dimensionally vibrating Branes existing as the deepest level of the reality we inhabit. Human BioAcoustics, with its elegant multidimensional Matrix of Frequency Equivalents, begins to define the new Periodic Table of the Frequency Domain, uncovering the specific vibrational states of the chemical compounds that interact in the mystic dance of Life. These are the harmonies from which greater wellness and higher consciousness arise. They are available to each person and are as close as your own voice.
Back to SHRI,

Written for Sound Health Research Institute, Inc. by Human BioAcoustics Researcher Kathy Greene Fucetola, & Ralph Fucetola, JD,

We recommend the William A. Tiller Foundation web site for a deeper understanding of the multidimensional multiverse,


1. Human BioAcoustics is not intended to diagnose, prescribe for, treat, prevent, mitigate or cure any human disease condition.

2. See for details.

3. Human BioAcoustics has been established by the Research of Sharry Edwards, M.Ed. and is taught by her through various licensed channels, including her certified independent research associates. The Sound Health Research Institute, Inc. (SHRI - is an IRS Code 501(c)(3) approved exempt organization. Charitable activities, such as the providing of equipment in cases of special need, can be arranged through SHRI.

4.  Eco Homo - How the Human Being Emerged from the Cataclysmic History of Earth by Noel T. Boaz, Ph.D., BasicBooks, 1997, pp. 212-3.

5.  The link can be recognized from looking at e = mc2, in its expanded form, hf = mc2 (since e = hf).  This shows a direct relationship between frequency (f) and mass (m) mediated by two Constants of Nature -- the Speed of Light (c) and Planck's Constant (h).


© 2004, 2006 SHRI